Íomhá:Ambrogio de Predis - Bianca Maria Sforza - Google Art Project.jpg

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Achoimriú

Giovanni Ambrogio de Predis: Bianca Maria Sforza  wikidata:Q20174631 reasonator:Q20174631
Cumadóir
Giovanni Ambrogio de Predis  (circa 1455
date QS:P,+1455–00–00T00:00:00Z/9,P1480,Q5727902
after 1508
date QS:P,+1508–00–00T00:00:00Z/7,P1319,+1508–00–00T00:00:00Z/9
 wikidata:Q947105
 
Alternative names
Ambrogio de Predis, Giovanni Ambrogio de Predis
Description Italian péintéir, soilseoir, péintéir cúirte, greanadóir agus portráidí
Date of birth/death circa 1455
date QS:P,+1455-00-00T00:00:00Z/9,P1480,Q5727902
after 1508
date QS:P,+1508-00-00T00:00:00Z/7,P1319,+1508-00-00T00:00:00Z/9
Location of birth/death Milano Milano
Work period an Renaissance luath
era QS:P2348,Q1472236
Work location
Rialú údaráis
creator QS:P170,Q947105
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Teideal
Béarla:
Bianca Maria Sforza Edit this at Wikidata
title QS:P1476,en:"Bianca Maria Sforza Edit this at Wikidata"
label QS:Len,"Bianca Maria Sforza Edit this at Wikidata"
label QS:Lit,"Bianca Maria Sforza"
label QS:Lde,"Bianca Maria Sforza"
label QS:Lfr,"Bianca Maria Sforza"
label QS:Lnl,"Bianca Maria Sforza"
Object type pictiúr Edit this at Wikidata
Seánra portráid Edit this at Wikidata
Depicted people Bianca Maria Sforza Edit this at Wikidata
Dáta probably  Edit this at Wikidata
Medium oil on poplar panel Edit this at Wikidata
Toisí airde: 51 cm Edit this at Wikidata; leithead: 32.5 cm Edit this at Wikidata
dimensions QS:P2048,+51U174728
dimensions QS:P2049,+32.5U174728
institution QS:P195,Q214867
Suíomh
Uimhir shealbú
Object history

Private collection, England; purchased summer 1888 by Dr. Friedrich Lippmann [1838-1903], Berlin; by inheritance to his son, Friedrich Lippmann, Berlin;[1] acquired 1904 on joint account by (Durlacher Brothers, New York) and (P & D Colnaghi's, London and New York); sold 1904 to (Eugène Fischhof, Paris and New York); acquired 1904 from or through (Fischhof) by Peter A.B. Widener, Lynnewood Hall, Elkins Park, Pennsylvania; inheritance from Estate of Peter A.B. Widener by gift through power of appointment of Joseph E. Widener, Elkins Park; gift 1942 to NGA.

[1] Describing Italian paintings in private Berlin collections, Fritz Harck, "Quadri di maestri italiani in possesso di private a Berlino," Arch 2 (1889): 213, states that Lippmann, the director of the Kupferstichkabinett (and a frequent traveler for personal and institutional acquisitions), had bought the portrait in England in summer 1888. Fern Rusk Shapley (Catalogue of the Italian Paintings, 2 vols., Washington, D.C., 1979: 1:382 n. 8) speculates that the painting may have been among those confiscated from the Sforza family in Milan by King Louis XII of France in 1499. She cites as evidence an inventory of Italian portraits belonging to his queen, Anne de Bretagne, which includes an "autre tableau sur boys peint d'une autre femme de Italie, ayant les cheveux troussés, et dessus ung chappelet faict en fasson de perles" (Jean Adhémar, "Une galerie de portraits italiens à Amboise en 1500," Gazette des Beaux Arts 86, no. 1281 [October 1975]: 102). But the reference could describe any of a large number of portraits produced in Milan in the late fifteenth century. Nor can another reference--specifically to a portrait of Bianca Maria Sforza--be definitely connected with the NGA painting; the commentator, Marcantonio Michiel, describes, in the house of Taddeo Contarini in Venice in 1525, a "retratto in profilo insino alle spalle de Madonna...fiola del signor Lodovico da Milano maritata nello Imperatore Massimiliano fu de mano de...Milanese" (Notizia d'opere di disegno, 2nd rev. ed., ed Gustavo Frizzoni, Bologna, 1884: 166). But this portrait of Bianca Maria, whom Michiel wrongly identifies as Ludovico's daughter rather than his niece, is specifically said to be only bust-length ("alle spalle").
Tagairtí
Foinse/Grianghrafadóir aAGrEKi10bz8jwGoogle Arts & Culture

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
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The author died in 1508, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


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