Johannes Vermeer: Woman in Blue Reading a Letter
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Cumadóir |
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Teideal |
Brieflezende vrouw |
Object type |
pictiúr |
Seánra |
genre art |
Tuairisc |
Nederlands: Brieflezende vrouw. Een jonge vrouw, staande bij een tafel met stoelen, leest een brief. Achter haar hangt aan de muur een landkaart op rollen. ; Johannes Vermeer (1632–1675), olieverf op doek, ca. 1663 |
Dáta |
1663 date QS:P571,+1663-00-00T00:00:00Z/9 |
Medium |
ola ar chanbhás medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
Toisí |
doekmaat Height: 46.5 cm doekmaat Width: 39 cm doekmaat Diepte: 6.5 cm inclusief lijst Height: 61.5 cm inclusief lijst Width: 53 cm |
Bailiúchán |
institution QS:P195,Q190804 |
Uimhir shealbú |
SK-C-251 |
Object history |
Acquisition: 1885-06-30 |
Exhibition history |
2011-2012, Vermeer and Dutch Genre Painting in the Golden Age - III, Tokyo
2011-2011, Vermeer and Dutch Genre Painting in the Golden Age - I, Kyoto
2004-2005, Van der Hoop - C, Amsterdam
2003-2003, Love Letters: A Theme in Dutch 17th Century Genre Painting, Dublin
1996-1996, Johannes Vermeer - II, Den Haag
1995-1996, Johannes Vermeer - I, Washington D.C.
1946-1946, De Hollandsche schilderkunst van Jeroen Bosch tot Rembrandt, Brussel
1935-1935, Vermeer tentoonstelling ter herdenking van de plechtige opening van het Rijksmuseum op 13 juli 1885, Amsterdam
1935-1935, Vermeer : oorsprong en invloed : Fabritius, De Hooch, De Witte, Rotterdam
1929-1929, Dutch Art 1450-1900, Londen |
Tagairtí |
Liza Burmeister Kaaring, 'Tracking the Language of Stillness', SMK Artjournal : Statens Museum for Kunst (2007), p. 108-115, p. 112, afb. 6.Karin Leonhard, 'Vermeer's Pregnant Women : On Human Generation an Pictorial Representation', Art History 25 (2002) nr. 3, p. 293-318.M.A. Castor, 'Augenblick und Zeitfluss : Bemerkungen zu einigen Konstanten in der Malerei Jan Vermeers', Pantheon 54 (1996), p. 91.R. Roos, 'Johannes Vermeer', Vernisage (1996) mrt., p. 12.K. Zandvliet, 'In plaets van schilderijen', Vitrine (1996) mrt./apr., p. 16-17.'Vermeer', bijlage Vrij Nederland, 24 februari 1996, nr. 8.James A. Welu, 'Vermeer : his cartographic sources', The Art Bulletin 57 (1975), p. 532-533, 541, afb. 3.K. Clark, Connaissance des Arts (1974), p. 78.Daniel A. Fink, 'Vermeer's Use of the Camera Obscura : A Comparative Study', The Art Bulletin 53 (1971), p. 493-505.A.B. de Vries, Openbaar Kunstbezit 9 (1965), nr. 39.H. van Gelder, 'Haagsche Kunstverzamelingen voor 1900', Die Haghe (1942), p. 26, afb. 9.W. Thoré-Bürger, Gazette des Beaux-Arts (1866) |
Rialú údaráis |
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Foinse/Grianghrafadóir |
http://www.rijksmuseum.nl/collectie/SK-C-251 |
Ceadúnas (Athúsáid a bhaint as an gcomhad seo) |
Public domainPublic domainfalsefalse
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Public domainPublic domainfalsefalse
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